There's no bill to foot if Syfy is paying full pop per episode. The cost is borne by the network purchasing the series, not the production house. MGM is out to make profits, not produce free public access programming. If Syfy had wished to keep paying for both series, MGM wouldn't have been forced to dump one for the other.
maybe the next time anyone is going to make a new SG series or movie (or any other show for that matter) the production stats and numbers of dollars spent should be kept secret (as much as possible). People tend to expect a greater "wow factor" when they have been exposed to the money and SFX techniques used--before they have even seen a trailer. Due to these expectations -mostly built on hyperbole-the chances for a viewer to be disappointed are far greater than for he/she to be satisfied. Honestly, with the way the PR machines work, and-lets face it, just about all data is here on the net for those who wish to seek it out- can we ever be 'wowed', satisfied or otherwise impressed by any new SG series? I think that anyone who tries has about a size 15 pair of shoes to fill. Unfortunately, the SGU PTB showed up with a child's size 1.
And to the Syfy ads and day changes. Why should I watch Syfy, or any channel, when it is not showing what I want to watch? That is-why should I be watching Gostbustin', Fact or Fakin', sci-fi cooking, etc, just to see a commercial on when the 1 or 2 shows I do watch may be on or what day they may be changing to? In fact-doesn't this type of watching it all give Syfy skewed data? That is, if I am a CAPRICA fan and I also watch(ed) SGU and some ENTERPRISE reruns (3 hrs a week total) but I am watching all of the above listed "stuff" and more just to see ads-won't Syfy get data showing that these "stuff" shows are actually more popular? Why not just run an ad for the moving show while that show is on? Would that just make too much sense:roll:
thanks
Yeah, sometimes people that make these shows expect us to be wowed by all the glitz and glamour when the story is crap and has little depth. They get lazy and try to pass of glitz and glamour as good material.
Yeah, sometimes people that make these shows expect us to be wowed by all the glitz and glamour when the story is crap and has little depth. They get lazy and try to pass of glitz and glamour as good material.
In theory, perhaps - although not Mallozzi who only worked for Brad, but Brad Wight and Robert Cooper.The only real blame SyFy has in this fiasco is pre-committing to 2 seasons for a concept that there were signs in abundance would not ultimately work. The rest of the blame goes right back on the producers who basically ditched a viable series to follow a will of the wisp. MGM actually should have fired Mallozzi and Wright on the spot when they got insistent about SGU, brought in new producers and stuck with SGA.
I recall all too clearly on Gateworld (I was there at the time) how the initial concepts on SGU sounded promising, especially when it was being presented that Destiny's mission was as a gate seeder/manufacturer ship. Then the disturbing stuff started to leak out - for example the casting calls with character profiles heavily emphasizing "youthful", "hip" and a denigration of SGA by saying they wanted younger people in SGU. Then came the casting itself and the character descriptions (which led to some of the first censored stuff on Gateworld when a couple of folks said it was starting to sound like "Wormhole Xtreme"). Add in the also constant emphasis on "dark, gritty drama" and a lot of enthusiasm was gone even before it premiered.
In theory, perhaps - although not Mallozzi who only worked for Brad, but Brad Wight and Robert Cooper.
But you don't do that with people who have a proven record of 13 seasons of Stargate. They earned their respect both at Syfy and MGM!
It really has nothing to do with taking anything from anyone. Also their proven record means nothing, especially as they were proposing to discard everything their record was built on and follow a will o the wisp. Perhaps not fire them instantly, but definitely categorically reject their proposals (especially after the feedback from the fan base soured as they became more known).
The only real blame SyFy has in this fiasco is pre-committing to 2 seasons for a concept that there were signs in abundance would not ultimately work. The rest of the blame goes right back on the producers who basically ditched a viable series to follow a will of the wisp. MGM actually should have fired Mallozzi and Wright on the spot when they got insistent about SGU, brought in new producers and stuck with SGA.
I recall all too clearly on Gateworld (I was there at the time) how the initial concepts on SGU sounded promising, especially when it was being presented that Destiny's mission was as a gate seeder/manufacturer ship. Then the disturbing stuff started to leak out - for example the casting calls with character profiles heavily emphasizing "youthful", "hip" and a denigration of SGA by saying they wanted younger people in SGU. Then came the casting itself and the character descriptions (which led to some of the first censored stuff on Gateworld when a couple of folks said it was starting to sound like "Wormhole Xtreme"). Add in the also constant emphasis on "dark, gritty drama" and a lot of enthusiasm was gone even before it premiered.
Not only a proven record but a VERY successful one. A "will of the wisp"? Maybe, but that applies to any innovative decision and it's what makes a show 'great' instead of just 'meh' when it works.It really has nothing to do with taking anything from anyone. Also their proven record means nothing, especially as they were proposing to discard everything their record was built on and follow a will o the wisp. Perhaps not fire them instantly, but definitely categorically reject their proposals (especially after the feedback from the fan base soured as they became more known).
LOL What???? For those who don't know Zenith means highest point. Ummmm yeah rightWhy was a show that has reached its creative zenith, and holding its own (relatively speaking) on a very competitive night of programming, kicked to the curb?
LOL What???? For those who don't know Zenith means highest point. Ummmm yeah right
Source: http://www.gateworld.net/news/2011/05/gateworld-throws-down-gauntlet-syfy-channel-responds/
Probably. To Syfy, they are two seperate fees. If SGA is making them a profit, then they would renew it. Sorta how SG-1 and SGA ran together. SG-1 in the end just became too expensive. SGA also would have 100 eps under the belt and the reruns would also make some money for the network as well. Like I said in the ratings thread. 2nd and 3rd runs of SGA were pulling in almost 800,000 viewers.
Probably. To Syfy, they are two seperate fees. If SGA is making them a profit, then they would renew it. Sorta how SG-1 and SGA ran together. SG-1 in the end just became too expensive. SGA also would have 100 eps under the belt and the reruns would also make some money for the network as well. Like I said in the ratings thread. 2nd and 3rd runs of SGA were pulling in almost 800,000 viewers.