Agreed.
Well put. They changed TOO MUCH from the core premise for it to be a smooth transition. SG-1 to Atlantis was relatively painless IMO.
Without a doubt, those responsible are the leaders of the creative team, the PTB.
To put it simply, if they would have made a product that the market wanted, then all of the surrounding peripheral problems would have gone away. Or at the very least those problems would have been somewhat mitigated so as not to be so completely overwhelming.
Well put. They changed TOO MUCH from the core premise for it to be a smooth transition. SG-1 to Atlantis was relatively painless IMO.
Completely agree. The idea that Eli was supposed to be the "avatar for the audience" automatically alienates female viewers, physically fit geeks, disabled geeks, etc. And the treatment of women aboard Destiny in season 1 was where they wanted to go with things. THAT was the show they wanted us to see, not the modified version of season 2. Chloe goes from coiffed and manicured and useless to being the resident math genius who routinely checks Eli's math...Then, add to the mostly negative public reception of the product the number of statements issued/written by the producers that were essentially qualitative generalizations; generalizations which painted anyone that didn’t like said new product as dysfunctional or in some way deficient (afraid of change, wanted only SG1/SGA clone, wanted only pew-pew, “basement dwellers” that were not intelligent enough to understand the concept, etc.); and a bad situation is turned into an impossibly unsalvageable one. If they would have been professionally open to criticism and had even softly addressed some of the major issues without sarcasm, malice, blackmail and blame, then some of the fans would have been much more willing to stay on board. Then subsequently, the level of intolerance for the program and for the producers would have been nowhere near as extreme as it ended up being (it wouldn’t have disappeared – but goodwill can go a long way). Would they have kept enough people to make it work, we’ll never know. It’s a shame that they didn’t at least attempt to cultivate the potential audience.
Franchise fatigue...isnt that an affliction of SHOWRUNNERS and not the story vehicle itself? I think so. There are so many ways to do Stargate...as many as there are planets in the universe. I even see variations of this premise in shows that precedes Stargate like The Time Tunnel, the ST TOS episode "The City on the Edge of Forever", and the current British show "Primeval". But Stargate made it somehow more "tangible". The story vehicle is sound and has a lot of life left in it.Although, I firmly believe that the blame rests upon their shoulders, some thoughts of franchise fatigue and disgruntled SGA fans undoubtedly come to play at the very front of the equation as well. However, a product perceived as being ‘good’ by the viewing audience would have somewhat mitigated these things, just like it would have everything else. As would some real ownership and answers for the cancellation of SGA, which is, once again, on the shoulders of the producers.
That was my point as well.@ Yoshi Hey, I’m not trying to pick a fight with you, but could you expound on why you feel the blame rests on the shoulders of the viewers. I want to understand your perspective, but I don’t see anything that logically points to the viewers. It’s like a setup of dominoes, and the producers are always at front of the row toppling everything else.