EvilSpaceAlien
Sinister Swede
You can find the rest of the article here:Usually we just report the news here at GateWorld, but every now and again I feel it necessary to abuse my privilege as chief and editorialize a bit. This is one of those posts. Please just take it, for what it’s worth, as one science fiction fan’s opinion.
AN OPEN LETTER TO SYFY CHANNEL:
Thank you for the many years of outstanding entertainment you have given to me and my friends. While I haven’t agreed with every creative or scheduling decision, every killed-off character or series cancellation, I do recognize that because of Syfy Channel I have laughed, cried, and cheered over the likes of Farscape, Stargate, Sanctuary, Battlestar Galactica, and so many others.
Since you ventured into original, scripted drama more than a decade ago, you’ve been one of the best places on television for the genre that I love so much. And you’ve been one of the safest. The big networks put the pressure on shows and cancel them after a season or less, sometimes not even airing all the episodes they paid to have filmed. Firefly. Defying Gravity. The Event. No Ordinary Family. Moonlight. Earth 2. Surface. Invasion. Threshold. But you give new series time to find their audience. You’ve rescued shows from cancellation oblivion, you’ve aired those unaired episodes, and you’ve funded additional seasons when it looked like shows like Sliders and Stargate SG-1 were done.
Lately, however, your actions have started to concern me. Consider this an intervention on the part of those who love you. While your ratings are high and things seem like they are going great, you are on a self-destructive path. And it doesn’t just hurt you. It doesn’t just hurt those who fall in love with your outstanding scripted dramas. It’s hurting the science fiction genre.
I understand that reality programming is here to stay. Because it’s less expensive to produce and typically gets as-good or better ratings than scripted fare, reality TV has become a building block for the television landscape in the twenty-first century. Hopefully that will come with some balance — something scripted, something unscripted, and viewers will choose what they like. Face Off and Ghost Hunters are cool ideas. But please, do not forsake scripted drama because it doesn’t have as high a cost-benefit ratio.
I think you know this, and it’s not why I am writing today. I’m writing to talk about professional wrestling. Your mother and I are very concerned about the kids you have been hanging out with. I recognize that WWE Smackdown is the cool kid: he gets double the ratings of nearly any other show on the network, which is a huge boon to your ratings averages and, ultimately, to your profitability. Money earned from wrestling can then be invested in making shows that don’t rate as highly. Like the Republicans say, the ratings “wealthy” can create jobs for the “middle class” of TV shows. It’s not a terrible idea, even if I don’t think that wrestling fits with your network brand.
http://www.gateworld.net/news/2011/05/how-wrestling-is-killing-science-fiction